─ 17 ─in Sanur, the pitch of the pitch name 1 is F, i.e., very high compared with other 10 sets. According to Merta, a member of Taman Sari, there are two more sets of old Gamelan Pelegongan in Sanur with approximately the same pitch as the Gamelan Gong Kebyar owned by Taman Sari, i.e., that of the pitch name 1 is C#. This is also suggesting that Set K of Gamelan Pelegongan has an exceptionally high tone.7. ConclusionPitches in 11 sets of Gamelan Pelegongan that have the same 5-tone pelog scale as Gamelan Gong Kebyar and is older than that were examined at this time.It was conrmed as a result that the pitch name 1, the lowest pitch in the pentatonic scale, was almost tuned between C# and D#, and there was a tendency that the pitch for the pitch name 1 goes down from D# to C# with the times. Looking at the pitches in the pentatonic scale for these 11 sets of Gamelan Pelegongan, some of them have a semitone or more difference between the pitch names 3and 6 even though the pitch for the pitch name 1 is the same. Therefore, it is necessary to examine not only pitches but also intervals. It is our hope to also analyze Gamelan Semar Pegulingan with the same pelog scale which is believed to be older than Gamelan Pelegongan to research transition of pitches and intervals of Gamelan by area and age in the future.NotesAnalysis results of eight sets of Gamelan Pelegongan conducted in the literature 5) along with an additional three sets were reexamined in this paper.AcknowledgementThis study was partially subsidized by the National Grants-in-Aid for Scientific Research under the Project Number 22652020 (Grant-in-Aid for Challenging Exploratory Research, Principal Investigator: Hiroyoshi Shiokawa, Project Name: Changes of Balinese Gamelan in Indonesia by Using Acoustic Analysis, 2010-2012), the Project Number: 25370114 (Grant-in-Aid for Scientic Research [C], Principal Investigator: Hiroyoshi Shiokawa, Project Name: Changes of Balinese Gamelan in Indonesia by Using Acoustic Analysis, 2013-2016) and the Project Number:17K02292 (Grant-in-Aid for Scientic Research [C], Principal Investigator: Hiroyoshi Shiokawa, Project Name: Changes of Balinese Gamelan in Indonesia by Using Acoustic Analysis, 2017-2020).Owners of Gamelan Pelegongan and Gamelan Gong Kebyar analyzed in this paper included ISI, Banjar Abian Nangka Kaja, Meranggi and Kelandis in Denpasar, Banjar Taman in Sanur village, Denpasar, Banjar Carik Tista, Tunjuk Kelod and Bongan Jawa in Tabanan region, in Banjar Blah Kiuh, Ketewel and Teges Kanginan in Gianyar region and I Nyoman Sumandhi and I Wayan Merta assisted us for some local measurements. We express our deep gratitude to all of them.References1)Hiroyoshi SHIOKAWA, Hideharu UMEDA, Koichi MINAGAWA, I Made KARTAWAN: Change of Balinese Gamelan in Indonesia -Pitch of Gamelan Gong Kebyar Relating to Educational Institutions-, REPORT OF THE RESEARCH INSTITUTION OF INDUSTRIAL TECHNOLOGY NIHON UNIVERSITY, (2016) Number 100, p.1-112)Harumi SYOJI, Akiko OTAKE, Shinji HAKU: Dancing Island BALI, PARCO, (1990), p.99 (Japanese)3)Harumi SYOJI, Akiko OTAKE, Shinji HAKU: Dancing Island BALI, PARCO, (1990), p.187 (Japanese)4)Colin McPhee, Music in Bali, Yale Univ. Press, New Haven and London,(1966), p.485)Hiroyoshi SHIOKAWA, Hideharu UMEDA, Koichi MINAGAWA, I Made KARTAWAN: Change of Balinese Gamelan in Indonesia –Pitch of Gamelan Pelegongan, REPORT OF THE RESEARCH INSTITUTION OF INDUSTRIAL TECHNOLOGY NIHON UNIVERSITY, (2017) Number 50.1, p.-37-43 (Japanese)
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