─ 15 ─originally owned by Puri (Royal Palace) Agung Peliatan3). Gender Rambat has 14 keys. Legong dance of Banjar Teges Kanginan was very famous at the end of the 20th Century, while it does not seem to be performed very often these days. Measurement was conducted in 2014.4.10 Set JSet J of Gamelan Pelegongan is owned by Banjar Bongan Jawa in Kabupaten Tabanan. According to the interview of local people, this Gamelan set was succeeded from Puri Agung Tabanan. It includes Trompong (Fig.11) but there is no Gender Rambat. While the time of production is uncertain, it seems to have existed prior to 1950 according to a monk in the temple. It looks like they always perform Legong dance by using this Gamelan at a temple afliated to the Banjar. Measurement was conducted in 2014.4.11 Set KSet K of Gamelan Pelegongan is owned by Banjar Taman in Sanur of Denpasar. According to Merta, a member of the Gamelan group ‘Taman Sari’ that performs this instrument, Gamelan Pelegongan that existed from old times was modied to Gamelan Gong Kebyar by keeping only two Gender Rambats and melting the bronze part on keys, to be able to perform Drama Gong in 1970. Since these Gender Rambats were acquired at a high price in those days, advice by the elderly to “keep them without melting!” seems to have been observed. When the Gamelan Bebarongan boom returned in the 1980s, it seems to have been remade again to match these Gender Rambats.The analysis data of this Gamelan Pelegongan measured in the 1930s is also included in “Music in Bali” written by Colin McPhee4).This instrument is currently played to offer Barong dance at Odalan of Pura Dalem in Banjar Taman. Gender Rambat has 13 keys (Fig.12). Measurement was conducted in 2011.5. Measurement method and analysisDAT or Wave Recorder (sampling frequency 44.1 kHz or 48 kHz; quantization 16-bit) was used for recording. Since it was basically measurement of frequency only, keys of each instrument were hit one by one in the quiet surroundings and by paying attention to background noise and adjusting the level to prevent overloading. Digital data recorded was stored on a computer hard disk in the WAV le format, and frequency was analyzed with FFT software made by B&K to obtain the fundamental frequency of each key. Resolution performance Fig.11 Trompong for Bongan JawaFig.12 Gender Rambat for TamanTable 1 Pitch of Gamelan Pelegongan for ISIPitch NameFrequency (Hz)Pitch (cent)1-1142.5C#3＋481-2154.0D#3−171-3170.0F3−461-5212.0G#3＋361-6227.5A#3−422-1285.5D4−492-2304.0D#4−402-3329.0E4−32-5425.0G#4＋402-6458.5A#4−293-1565.0C#5＋333-2605.0D#5−493-3655.5E5−103-5822.0G#5−183-6882.0A5＋44-11144.5D6−454-21212.5D#6−454-31335.0E6＋224-51681.5G#6＋214-61833.0A#6−30
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